Comic maker in training. I play Tera Rising in the Lake of Tears server. Main: Celynn (lvl 60 slayer). Lowest: Fereydun (lvl 27 Mystic)
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Monero en ciernes. Juego Tera Rising en Lake of Tears.
Background Illustrations provided by: http://edison.rutgers.edu/
Reblogged from sterlingsea  58 109 notas

sterlingsea:

gang0fwolves:

thesinwhisperer:

fixateonforward:

Aaron Hill is a disabled boy in Okeechobee who was lured out of his home by a girl claiming to want to go on a date. Once to the location she chose, he was ambushed by Andrew Wheeler and a gang of at least 8 other people. Andrew beat him senseless, held a knife to his throat, And told him he was going to shoot and kill him. This was filmed the whole time, but currently this is the only video I can get a hold of. The video was on Andrew’s facebook and he went around bragging about his crime. He was arrested, but only charged with minor assault and no charges or arrests are being made on the others involved. Some of the others involved have family in the Okeechobee police department and also DCF. One of the parents even destroyed evidence to protect their guilty little brat. So now the Okeechobee Police Department are trying to bury this story because some of the kids have ties to the department. We’re asking everyone to spread this around that we want justice for Aaron, that if anyone has a copy of the video please take it to the media. We need all media outlets to know this is a cover up and we will not accept it. Please download and spread this video. We’re using the hashtag JusticeForAaron.

PLEASE, if you have it, PLEASE make a copy and take it to all media, ALL MEDIA, not just Okeechobee I’m talking surrounding counties. This is extremely important. Aaron and his mother are getting death threats and they deserve justice. We need more people! Okeechobee is a little town run by the Good Ole Boys. Ferguson is allowing them to think this is okay. News channel 25 contact them at web@wpbf.com or 5616942525! We need this to blow up to make this stop. In the wake of Michael Brown and the others that have been hurt by police, we cannot let them bury this like a bunch of crime lords. Their job is to protect us, not protect the guilty from justice. And by the way there’s been ANOTHER unarmed black man killed by police. He was shot in the back and he was complying with police orders. He was also mentally handicapped. This. Needs. To. Stop.

Please, signal boost the HELL out of this. #JusticeForAaron

Disgusting

WHAT THE FUCK WHAT THE FUCK WHAT THE FUCK

What the fuck

He aquí una nueva práctica hecha con Krita en Linux. "Casi siempre está fuera debido a su trabajo; no me quejo, al fin y al cabo es su departamento, pero a veces ocurre algo raro cuando regresa de la calle. Puedo estar leyendo, en el baño o sencillamente estar distraído, realmente eso no importa, el asunto es que de un momento a otro esas… cosas, aparecen cerca de la puerta, el primero es el casi siempre me arruina el día, o por lo menos la cena, porque tiene la maña de sentarse sobre la cafetera".  _______________________________Here’s a new practicing work made with Krita in Linux"She’s not at home most of the time, because of her job; I’m not complaining, this department is hers, but strange things happen sometimes when she comes back home. It might happen when I’m reading, in the bathroom, or simply when I’m distracted, it doesn’t really matter,  the problem is those… things  suddenly appear by the door. The first one of them is the one that most of the time ruins my day, or the dinner time at least, cause it has the habit of sitting on the coffee machine".

He aquí una nueva práctica hecha con Krita en Linux.

"Casi siempre está fuera debido a su trabajo; no me quejo, al fin y al cabo es su departamento, pero a veces ocurre algo raro cuando regresa de la calle. Puedo estar leyendo, en el baño o sencillamente estar distraído, realmente eso no importa, el asunto es que de un momento a otro esas… cosas, aparecen cerca de la puerta, el primero es el casi siempre me arruina el día, o por lo menos la cena, porque tiene la maña de sentarse sobre la cafetera". 

_______________________________

Here’s a new practicing work made with Krita in Linux


"She’s not at home most of the time, because of her job; I’m not complaining, this department is hers, but strange things happen sometimes when she comes back home. It might happen when I’m reading, in the bathroom, or simply when I’m distracted, it doesn’t really matter,  the problem is those… things  suddenly appear by the door. The first one of them is the one that most of the time ruins my day, or the dinner time at least, cause it has the habit of sitting on the coffee machine".

When I was about to hit lvl 60 with my slayer in Tera, I was afraid I would need to go through a lot of dungeon grinding to get my endgame gear, fortunately the reaper patch arrived and I quickly got the occulus set, the only problem is that it looks fugly, so this fashion coupon event was a breath of fresh air. This was always my favorite suit among all the leather armors, it worths those 400 coupons XD.

- Will this technology allow us to change the history? The past itself?- The past can be modified, but the present will remain untouched.- What can we use it for, then?- For the same purpose as history books: not to change the past, even the present, but to shape the future as we wish.
_____________________________________________________
- ¿Esta tecnología nos permitirá cambiar la historia? ¿el pasado? ¿podemos desaparecer al enemigo?- No, el pasado puede modificarse, pero lo que vemos en el presente es el resultado directo de eventos que ya ocurrieron, no se puede cambiar.- ¿Para qué nos sirve entonces?-Para lo mismo que los libros de historia, no para alterar el pasado o siquiera el presente, sino para moldear el futuro a nuestro favor.

- Will this technology allow us to change the history? The past itself?
- The past can be modified, but the present will remain untouched.
- What can we use it for, then?
- For the same purpose as history books: not to change the past, even the present, but to shape the future as we wish.

_____________________________________________________

- ¿Esta tecnología nos permitirá cambiar la historia? ¿el pasado? ¿podemos desaparecer al enemigo?
- No, el pasado puede modificarse, pero lo que vemos en el presente es el resultado directo de eventos que ya ocurrieron, no se puede cambiar.
- ¿Para qué nos sirve entonces?
-Para lo mismo que los libros de historia, no para alterar el pasado o siquiera el presente, sino para moldear el futuro a nuestro favor.

Reblogged from royalboiler  3 004 notas
  • My 8house collaborator and impressive dude, Xurxo g Penalta translated this Spanish Moebius list of advice for artists. I thought would be cool to post. (Thanks Xurxo)

  • http:

    //www.jornada.unam.mx/1996/08/18/sem-moebius.html

  • 1. when you draw you must clean yourself of deep feelings (hate, happiness, ambition, etc)

  • 2 it's important to educate the hand, attain obedience, to full fill ideas. but careful with perfection, to much, as well as too much speed, as well as their opposites are dangerous. to much looseness, instant drawings,aside from mistakes, there's no will of the spirit, only the bodies.

  • 3. perspective is of sum importance, it;s a law of manipulation in the good sense, to hypnotise the reader. it;s good to work in real spaces, more that with photos, to exercise our reading of perspective.

  • 4.another thing to learn with affection is the study of the human body, the positions, the types, the expressions, the arquitecture of bodies, the difference between people. the drawing is very different when it come to a male or a female, because in the male you can change a little the lines, it supports to have some impressions. but with the female precision must be perfect, if not she may turn ugly or upset. then no one buys our book! so for the reader believes the story, the characters must have life and personality of their own, gestures that come from character, from their diseases; the body transforms with life and there's a message in the structure, in the distribution of fat, in every muscle, in every fold of the face and body. it;s a study of life.

  • 5. when you make a story you can start with out knowing everything, but making notes (in the actual story) about the particular world of that story. that way the reader recognizes and becomes interested. when a character dies in a story, and that character has no story drawn in his face in his body, in his dress, the reader does not care, there's no emotion. and then the editors say:

    "your story is worthless, there's only one dead guys and I need 2) or 30 dead guys for it to work" but that is not true, if the dead guy, or wounded guy or sick guys or whomever is in trouble has a real personality that comes from study, from the artists capacity for observation, emotion will emerge (empathy). In the study you develop an attention for others, a compassion, and a love for humanity.

  • it's very important for the development of an artist, if he wants to be a mirror, it must contain inside it;s consciousness the whole world, a mirror that sees everything.

  • 6. jodorwosky says I don't like drawing dead horses. it;s very difficult. it's very difficult to draw a body that sleeps, that's abandoned, because in comics you're always studying action. it;s easier to draw people fighting thats way Americans always draw superheroes. it;s more difficult to draw people talking, because there are a series of movements, very small, but that have a significance, and that accounts for more, because it need love, attention to the other, to the little things that speak of personality, of life. the superheores have no personality, all of them have the same gestures and movements (pantomimes ferocity, running and fighting)

  • 7. equally important is the clothing of the characters, the state they;re in, the materials, the textures are a vision of their experiences, of their lives, their situation in the adventure, that can say a lot with out words. In a drew there's a million folds, you must chose 2 or 3, but the good ones.

  • 8. the style, the stylistically continuity of an artist is symbolical, it can be read like the tarot. I chose as a joke the name Moebius, when I was 22, but in truth there's a meaning to that. if you bring a t shirt with Don Quixote, that speaks to me of who you are. in my case, I give importance to a drawing of relative simplicity, that way subtle indications can be made.

  • 9. when an artist, a drawing artist goes out on the street, he does not see the same things other people see. what he sees is documentation about a way of life, about people.

  • 10. another important element is composition. the composition on our stories must be studied, because a page, or a painting, is a face that looks towards (faces) the reader and that speaks to him. it's not a succession of panels with out meaning. there's panels that are full and some that are empty, others that have a vertical dynamic or a horizontal one, and on that there is intention. the vertical excites (cheers), the horizontal calms, an oblique to the right , for us westerners, represents the action heads towards the future, and oblique to the left directs action toward the past. points (points of attention) represent a dispersion of energy. something places in the middle focalises energy and attention, it concentrates.

  • these are basic symbols for reading, that exercise a fascination, a hypnosis. you must have a consciousness about rhythm, set traps for the reader to fall on to, and if he falls, and gets lost and may move inside them with pleasure because there's life. you must study the great painters, the ones that speak with their paintings, of any school or period, that does not matter, and they must be seen with that preoccupation for physical composition, but also emotional. in what way the combination of lines on that artist touches us directly in the heart.

  • 11. narration must harmonize with the drawing. there must be a visual rhythm from the placement of words, plot must correctly maneuver cadence, to compress or expand time. must weary of the election and direction of characters. use them as a film director and study all different takes.

  • 12. careful with the devastating influence of north american comics in mexico, they only study a little anatomy, dynamic composition, the monsters, the fights, the screaming and teeth (grin). I like them as well, but there are many other possibilities that must be explored.

  • 13. there's a connection between music and drawing. but that depends also on the personality and the moment. for perhaps 10 years I've been working in silence, and for me the music is rhythm of the lines (the music he listens to).

  • to draw is sometimes to hunt for findings, an exact (fair, just) line is an orgasm!

  • 14. color is a language that the artist (drawing artist) uses to manipulate the readers attention and to create beauty. there's objective and subjective color, the emotional states of the character influence the coloring and lighting can change from one panel to the next, depending on the space represented and the time of the day. the language of color must be studied with attention.

  • 15. especially at the beginning of a career, one should work on short stories but of a very high quality. there's a better chance to finish them successfully and place them on a book or with editors.

  • 16. there are times when we are headed to failure knowingly, we choose a theme, an existence, a technique that does not suit (convene) us. you must not complain afterwards.

  • 17. when new pages are sent to editors and see rejection, we should ask for the reasons. we must study the reasons for failure and learn. it's not about struggle with our limitations or with public or the publishers. it's more about treating it like in aikido; the strength (power) of the attack is used to defeat him with the same effort.

  • 18. now it is possible to find reader in any part of the planet. we must have this present. to begin with, drawing is a way of personal communication, but this does not imply that the artist must envelop himself in a bubble; it' communication with the beings near us, with oneself, but also with unknown people. Drawing is a medium to communicate with the great family we have not met, the public, the world.

  • august 18th 1996 compiled by Perez Ruiz